Dating ampeg cabinets
Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared: Presence Output: 50 watts RMS ’60s, however, the company was ready to admit that rock was here to stay, and that it would have to jump onboard to survive in a fast-evolving market.
Like the massive SVT bass rig of the same year, the V Series guitar amps introduced in ’69 were all about rock and roll – big rock and roll, as blasted in stadiums and arenas on major tours – and they cranked it out in a style no amp had done before or has since. ” This is where it comes from; you just aren’t likely to appreciate quite how beautiful until your ears are bleeding!
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while in 2010, Premiere Radio Networks launched nationally syndicated Rock/alternative music radio programs "Sixx Sense" and "The Side Show Countdown" with both based in Dallas, Texas and hosted by Sixx and co-hosted by Jenn Marino.
While living in Jerome, Idaho, he became a teenage vandal, breaking into neighbors' homes, shoplifting, and being expelled from school for selling drugs.
The 1972 Ampeg VT-22 is the 2×12″ combo of the V Series, and was the sibling, circuit-wise, of the V-4 head and V-40 4×10″ combo.
All used four 7027A output tubes to generate a conservatively rated 120 watts, which can often top 140 watts downhill with a good tailwind… And though we say this was a rock-intended amp, it was rock as intended it – bold, punchy, clear, and ungodly loud. Perhaps fewer players than back in the day, but, back when it was introduced, it proved to be exactly what plenty of touring pros required, most notably the Rolling Stones.
SVTs of this era had volume, treble, midrange, and bass knobs for the first channel, while channel 2 only had volume, treble, and bass.
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